![]() He premiered it at London's Barbican Centre in October 2012, and it soon picked up a huge following for its reductive approach to the old warhorse. Such is the case with British composer Max Richter's reimagining of Vivaldi's perennial favorite The Four Seasons, which Richter recomposed for solo violin, Moog synthesizer, and chamber orchestra. ![]() I don't suppose there's anything new under the sun, and every now and then even the not-so-new becomes new again. Also, Shadows 1-5 "Remixes." Daniel Hope, violin Andre de Ridder, Konzerthaus Kammerorchester Berlin. In all, this is an appealing collection that should appeal to those looking for a starting point for Richter's music.Vivaldi: The Four Seasons. This sets up a subtle contrast that's all to the good. ' "The Lonely Angel," she opts for a full-throated virtuosity rather than the dispassion with which minimalist violin music is often played. Gets the thankless task of playing the straight Vivaldi, but her performance is lively: here and in the two minimalist landmarks that round out the program, Much of it is generated by the popular electronic musical techniques of looping and phasing, though everything is written out and played on the conventional instruments of the Covent Garden Sinfonia under It's not so much a recomposition, but a sort of fantasy on Vivaldi that retains his basic thematic material, and layers it over with music derived from that. ![]() 's "Four Seasons violin concertos" was waning, but Richter came up with an entirely new idea. The post-minimalist music of composer Max Richter has gained strong popularity in Britain and elsewhere, and no work has been more popular than "The Four Seasons Recomposed." This 2012 work came along when the great vogue for performances of ![]()
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